The Goth and Udolpho artists (only listed where credited). Many thanks to Ian Morland for compiling this list.
| Vol | Date | Page no | Artist | Article |
| 1 | 1990 | |||
| 2 | 1990 | 20 | Aubrey Beardsley by himself | The School of Aubrey Beardsley |
| 21 | W T Horton | The School of Aubrey Beardsley | ||
| 22 | William Brown MacDougall | The School of Aubrey Beardsley | ||
| 23 | Harry Clarke | The School of Aubrey Beardsley | ||
| 3 | March 1991 | 4-12 | Illustrations from Gustave Dore’s ‘London – a Pilgrimage’ (1872) | London, City of Dreadful Night |
| 20-23 | Jose Guadalupe Posada | Posada – Master of Mexican Morbidity Art | ||
| 4 | June 1991 | 5 | Cartoon ‘Mr M Summers’ by Matt (c.1925) | Montague Summers – Introduction |
| 9 | A witch riding on a goat – Albrecht Durer | Giving the Devil His Due | ||
| 20-23 & cover | Silhouette art by – Mrs Bown Edouart Barbara Ann Townsend | The Black Art | ||
| 5 | September 1991 | Cover | Ticket to anatomy lecture 1813 | |
| 5 | Disraeli in 1833, by Daniel Maclise | The Butterfly and the Dandy | ||
| Baudelaire in 1860, by Etienne Carjat | The Butterfly and the Dandy | |||
| 24 | Joanna Gibbs | |||
| 28, 30 | by Paul Simmons | The Hungarian | ||
| 6 | December 1991 | Cover | Full fathom five they father lies, by Franklin Bishop | |
| 1 | David Taylor | |||
| 2 | David Taylor | Told After Supper | ||
| 3 | Chrissie Demant | Told After Supper | ||
| 5 | Franklin Bishop | My Great-Uncle’s Photographs | ||
| 18 | How They Met Themselves, by Rosetti | The Double Dream | ||
| 20, 22 | Austin Osman Spare | |||
| 7 | March 1992 | Odilon Redon – series of illustrations from his lithograph albums 1879-99 | ||
| 27 | Franklin Bishop | |||
| 8 | June 1992 | 1 | Tim Shaw | |
| 2 | The Witches, by Henry Fuseli | |||
| 6, 8 | Henry Fuseli | |||
| 15 | Fuseli by Franklin Bishop | Henry Fuseli | ||
| 9 | September 1992 | 6, 9 | Chrissie Demant | The Last Highgate Vampire Interview? |
| 21 | Franklin Bishop | |||
| 10 | December 1992 | Cover | Frederick Sandys | |
| 9, 10 | The Knight, Death and the Devil, by Albrecht Durer | The Black Mass | ||
| 13 | Simon Hill | The Occult Renaissance | ||
| 16, 17 | Pictures supplied by Charles Kewin, from Punch’s History of the Great War. | The Angel of Mons – a Legend of the Great War | ||
| 18 | ‘Zarvo’ (Dawn) No.3, 1906 | |||
| 21 | Autumn Gargoyle, by Jill Strong | |||
| 11 | January 1993 | Cover | Louis-Leopold Boilly, 1823 | |
| 2 | Nocturne Palaces, etching by James Whistler | |||
| 17, 19 | Mark Reeve | Lovecraft, The case For and Against | ||
| 25 | Alec Lewis | |||
| 12 | June 1993 | cover | Sir Astley Cooper and Resurrectionists, by Phiz | |
| 2 | Surgical Necrophilia | |||
| 4 | Charles Addams | Surgical Necrophilia | ||
| 10 | The Doctor, by Honore Daumier | The Neurological Boundaries of Visual Reality | ||
| 13 | Le Colique, by Honore Daumier | The Neurological Boundaries of Visual Reality | ||
| 15 | Brian Lee | |||
| 16 | The Headache, by Honore Daumier | |||
| 21 | Giantess, by Ben Newman | |||
| 23 | Jill Strong | Omnium Gatherum | ||
| 13 | August 1993 | Cover | Montage by Jennie Gray | |
| 2, 5, 7, 9 | From ‘The Monk’ 1797 and 1840 editions | More than Spectres and Bombast; The Celluloid Monk | ||
| 10 | Stage design for “Robert le diable” by Pierre Luc-Cherles Ciceri. | Meyerbeer and Gothic Opera | ||
| 11 | Caricature of the ‘mercy’ cavatina, Act IV, Robert le diable” | Meyerbeer and Gothic Opera | ||
| 15 | Tales of Wonder, by Gillray (1802) | ‘The Romance of the Forest’ and Fountains Abbey | ||
| 16 | Alec Lewis | |||
| 19 | Saint Anthony, Mad Monk & Visionary, by Paul Simmons | |||
| 14 | October 1993 | Cover | Puss in Boots, by Gustave Dore | |
| Inside cover | Gabriella Mihok | |||
| 2 | The lady of the Swans, by Jan Theodor Toorop (1896) | |||
| 8 | Medizin und Liebe, by Reznicek | Mesmerism | ||
| 11 | Ghost, by Hokusai | |||
| 14, 16 | Puss in Boots, by Gustave Dore | Gustave Dore | ||
| 17 | Jill Strong | |||
| 21 | Illustration for The Black Goddess, by Jill Barker | |||
| 15 | December 1993 | Cover | ||
| 2 | The Dream of the Doctor, by Albrecht Durer | |||
| 5 | Dr Faustus, by Rembrandt (1652) | Aleister Crowley – the Man, the Myth and the Magic | ||
| 7 | Shaman | Unholy Communion | ||
| 9 | Hounds of Odin | The Ghostlands of M R James | ||
| 11 | Old Nick offers a Canny Girl a Necklace… | The Ghostlands of M R James | ||
| 13 | Stanley Spencer | Spencer and Gill – the Last of the Pre-Raphaelites? | ||
| 15 | Illustration for The Black Goddess, by Jill Barker | |||
| 29 | Timothy Shaw | |||
| 16 | March 1994 | cover | By Ben Newman | |
| 2 | Louisa, 1789, by Thomas Gaugain | Dove Cottage and Haworth Parsonage | ||
| 5 | coleridge | Dove Cottage and Haworth Parsonage | ||
| 7, 9 | By Branwell Bronte | Dove Cottage and Haworth Parsonage | ||
| 10 | Drawing of the parsonage, by E C Gaskell | Dove Cottage and Haworth Parsonage | ||
| 13 | The Morphine Addict, 1897 by Eugene Grasset | 19th Century Opium Use | ||
| 15 | Collage by Roger Cornaille | In Praise of Mrs Ann Radcliffe | ||
| 17, 19 | Gothic heroines, anon | |||
| 22 | By Ben Newman | |||
| 24 | anon | Questionnaire 1994 | ||
| 25 | By Alec Lewis, 1993 | |||
| 27 | Wood engraved illustration by Jill Barker? | The Golden Cross | ||
| 29 | By Jasper Smithers | |||
| 37 | The March of Intellect, by H Heath | The Rovers | ||
| 17 | June 1994 | Cover | Bruegel | |
| Inside cover | Timothy Shaw | |||
| 7 | Unicorn print, by Alec Lewis | |||
| 8 | Frontispiece to first English and American editions | Dr Moreau and his Beast People | ||
| 17 | The Last Outpost, by Joseph Kossuth Dixon | Ambrose Bierce, Devil’s Advocate | ||
| 21 | Photo: Bierce | Ambrose Bierce, Devil’s Advocate | ||
| 22 | Death’s Door by William Blake | English Country Graveyards | ||
| 24 | The Counsellor, King, Warrior, Mother & Child, in the Tomb, by William Blake | English Country Graveyards | ||
| 26 | Proverbs, Ch XIX v.29 | |||
| 27 | Hogarth, by Renzo Sciutto | |||
| 31 | Lion ? | |||
| 33 | Pugin window | |||
| 37 | By Ben Newman | |||
| 39 | By David Frankel | |||
| 18 | September 1994 | |||
| 2, 5 | Wandering Jew illustration en francaise by Gustave Dore | The Wandering Jew | ||
| 7 | St Jerome and his Lion in the Wilderness, by Albrecht Durer | Hermits and Anchorites | ||
| 8 | Bruegel | Hermits and Anchorites | ||
| 10 | Tintern Abbey, east view | Tintern Abbey | ||
| 13 | ||||
| 14 | Fonthill | Horace Walpole and William Beckford | ||
| 16 | Strawberry Hill | Horace Walpole and William Beckford | ||
| 19 | Skulls, by Pia ? | |||
| 20-25 | Sundry illustrations | The Darker Side of Cruikshank | ||
| 26 | ? | Dracula, the Narrative Patchwork | ||
| 31 | Chrissie Demant | The Highgate Vampire Revisited | ||
| 34 | Newstead | |||
| 37 | ||||
| 19 | Winter 1994 | Cover | The Foolish Virgins, by Millais | |
| 2 | Two Men looking at the Moon, by Friedrich | Casper David Friedrich | ||
| 5 | Gothic Cathedral by the Water, by Karl Friedrich Schinkel | Deutsche Romantik, at the Hayward Gallery | ||
| 6 | Death as Assassin, by Alfred Rethel | Deutsche Romantik | ||
| 7 | Another Dance of Death | Deutsche Romantik | ||
| 10 | Illustration of Lambeth Delft plate | The Isle-Brewers Twins | ||
| 14, 15 | By Alec Lewis | How to Make a Mummy | ||
| 16 | National Conveniences, by Gilray (1797) | James Macpherson, Forgery in the 18th C | ||
| 22-23 | Glasgow Necropolis (photo) | The Glasgow Necropolis | ||
| 33 | Sketch, Jane and William Morris at Bad Ems. | British Museum, Pre-Raphaelite Drawings exhibition | ||
| 37 | Suicide of the Artist in his Studio, by Ferdinand von Rayski | |||
| 20 | Spring 1995 | Cover | Harry Clarke | |
| 2 | The Last Judgement, by Bruegel | |||
| 7 | ? | The Fifteen Signs of Doom | ||
| 8 | The World’s End? | The Last of the Race – a Modern Myth | ||
| 12 | End of the World…, by J G Posada | |||
| 24 | The Vampire, by Hantu Penanggalan | Hantu-Hantu | ||
| 26 | Hantu Tetek | |||
| 31 | Fabulae, by Susannah Preston | |||
| 34 | Spirit of Peace, by Philip Panton | |||
| 21 | Summer 1995 | Cover | Detail from Minerva and Mercury arming Perseus, by Jan Muller. | |
| 5 | anon | |||
| 9, 19 | Ben Newman | |||
| 10 | anon | Rosina Bulwer Lytton – a blighted life | ||
| 21 | anon | From Good Art to Bad Medicine | ||
| 23 | Mr John St John Long as he appeared on his Defence at the Old Bailey | From Good Art to Bad Medicine | ||
| 25 | anon | The Warlock of the West Bow | ||
| 28 | anon | Gothic Moods and Abbeys | ||
| 31, 33 | Fulesi | |||
| 39 | Gerald Gaubert | |||
| 22 | Autumn 1995 | Cover | Opium smoking, the Lascar’s Den, from Edwin Drood, by Dore. | |
| 2 | anon | Thomas Chatterton, the Marvellous Boy | ||
| 5 | North Porch, St Mary’s Redcliffe | Thomas Chatterton, the Marvellous Boy | ||
| 8 | The house where Chatterton died | Thomas Chatterton, the Marvellous Boy | ||
| 10 | Monument with Chatterton’s Portrait, nr Bath | Thomas Chatterton, the Marvellous Boy | ||
| 13 | Chatterton souvenir, a handkerchirf | Thomas Chatterton, the Marvellous Boy | ||
| 19 | 2x by Albrecht Durer | Visions of the Blessed Virgin Mary | ||
| 20 | anon | The Gothic Internet | ||
| 22 | 2x by Ben Newman | The Gothic Internet | ||
| 25 | anon | Ludwig II of Bavaria – King of the Romantics | ||
| 35 | Ben Newman (possibly influenced by Tarot cards?) | People and places | ||
| 39 | Porphyria’s Lover, by Gerald Gaubert | |||
| 23 | Winter 1995 | Cover | Detail from Death of the Strong Wicked Man, by William Blake | |
| 2, 4, 6 | anon | La Bete – the Beast of Gevaudan | ||
| 8, 9 | anon | The Stone Child | ||
| 10 | Poe, anon | Poe, the Man who was Used Up | ||
| 16 | anon | William Faulkner, Poe’s Heir? | ||
| 19 | anon | Faulkner’s Dark House | ||
| 20 | Ben Newman | |||
| 26, 29, 32 | anon | De La Motte Fouque | ||
| 35 | Ben Newman | |||
| 24 | Spring 1996 | cover | Page Three Girl, by Gerald Gaubert | |
| 2 | For ‘Morgane the Insensitive’, by Ben Newman | |||
| 16, 17 | The Return of Gils de Tais with his Latest Bride, by Gerald Gaubert | |||
| 19, 21, 24 | anon | De La Motte Fouque | ||
| 26 | Ben Newman | |||
| 25 | Summer 1996 | Cover | Judas the Archscoundrel, engraving 1695 | |
| 2 | Bishop Hatto in The Mouse Tower | The Prolific Countess and Other Medieval Legends | ||
| 5 | anon | The Prolific Countess and Other Medieval Legends | ||
| 6 | The Countess after giving birth | The Prolific Countess and Other Medieval Legends | ||
| 10, 11 | anon | The Unknown Greece | ||
| 18, 23, 28 | Etchings by James McNeill Whistler | M R James articles | ||
| 30 | anon | |||
| 33 | John Hancock | |||
| 26 | Autumn 1996 | Cover | Jael and Sisera from The Song of Deborah, by Gerald Gaubert | |
| 2 | Poe’s The Premature Burial, by Harry Clarke | |||
| 6, 10 | Anon engraging | At the Outer Limits | ||
| 13 | Artwork by Waters | Interview with Patrick McGrath | ||
| 15 | Frontispiece of the 1815 edition of Vathek | Orientalism | ||
| 17 | La Trappe | Orientalism | ||
| 21 | Illustration by Gerald Gaubert | Ode to Superstition | ||
| 22 | The Sleep of Reason produces Monsters, by Goya | Transylvanian Superstitions | ||
| 28 | Illustration by N Wright | Borley Rectory | ||
| 31 | Illustration by Le Totain | Short Stories | ||
| 27 | Winter 1996 | Cover | Detail from Baron Schwiter, 1926, by Eugene Delacriox | |
| 2 | By Marion Filmer | |||
| 5 | La bête, anon | La Bete Returns! | ||
| 7 | La bête, anon | La Bete Returns! | ||
| 11, 12 | anon | Incubi and Succubi | ||
| 15 | anon | Short stories | ||
| 16,17 (Centre fold) | Sleeping Beauty, by Gerald Gaubert | |||
| 21 | 1916 Rider edition of Dracula | |||
| 23 | Portrait of Ann Radcliffe | Ann Radcliffe | ||
| 25 | View of the Prior’s Garden | Horace Walpole | ||
| 26 | anon | Transylvanian Superstitions, Part II | ||
| 28 | Spring 1997 | Cover | Detail from St Jerome in his Study, by Albrecht Durer | |
| 2, 4 | Photos by Simon Marsden | ‘In Ruins: the once great houses of Ireland’ | ||
| 9, 13 | Monk Lewis – from Horror Novelist to Plantation Owner | |||
| 16,17 | Insa Heiss | |||
| 22 | Shipwreck, Claude Lorrain | The Doomed Man | ||
| 28 | Shipwreck, Breughal | The Doomed Man | ||
| 30 | Ora Bro Anima? Pedro Rodriguez | |||
| 31 | Carters? | |||
| 29 | Summer 1997 | Cover | Detail from The Lght of the World, 1860, by Holman Hunt | |
| 2 | Wombwell’s Lion, photo by Jennie Gray | Growing up by the Boneyard | ||
| 5 | Circle of Lebanon, photo by Jennie Gray | Growing up by the Boneyard | ||
| 13 | Illustration of David Farrant at the time of the Highgate Vampire Case, by Chrissie Demant | Suspended in Dusk Working notes for a biography of David Farrant | ||
| 16 | anon | An Evasive Ghost | ||
| 20 | From ‘William Wilson’ by Harry Clarke | The Doppleganger Phenomemon | ||
| 22, 24 | anon | |||
| 30 | Autumn 1997 | Cover | Lynda Gray | |
| 2, 9 | Dracula publicity illustrations | To the Heart of Dracula Country | ||
| 12 | anon | |||
| 15 | Engraving | The Montpelier Hellfire Club | ||
| 16, 19 | anon | Marcion – Heretic of Heretics | ||
| 20 | anon | Phantasmagoriana Ghost Shows | ||
| 23 | From ‘Spectropia, or Surprising Spectral Illusions’ | Phantasmagoriana Ghost Shows | ||
| 24 | engraving | Gothic Revivals and Last Stands | ||
| 27 | Gerald Gaubert | |||
| 30, 31 | anon | |||
| 31 | Winter 1997 | Cover | Detail from Hogarth’s Strolling Players | |
| 2 | Netley Abbey engraving by permission of the Hampshire Record Office | The Ghosts of Netley | ||
| 12 | Sicilian Fairy (name illegible) | The Sicilian Fairy | ||
| 16 | Alchemists at work (at least one is by Heinrich Khunrath) | The Ultimate Secrets | ||
| 23 | anon | |||
| 24, 25 | Anon images of execution | The Name of the Forefathers | ||
| 31 | anon | Fireside Horrors for Christmas | ||
| 32 | Spring 1998 | Cover | Lynda Gray, detail | |
| 2 | Nach D Naturoez? | The Strange Story of Julia Pastrana | ||
| 9 | Anon etching | The Strange Story of Julia Pastrana | ||
| 16 | By Lynda Gray | The Love Charm | ||
| 22 | Absorbing Egyptology by Jasper Smithers | My Favourite Gothic… | ||
| 24, 29 | anon | Masturbation, Little Suck-a-Thumb and Struwwelpeter | ||
| 33 | Summer 1998 | cover | Gerald Gaubert | |
| 2 | The Quacks, reproduced by kind permission of The British Museum | The Quacks | ||
| 7 | Anon re Dr Graham | The Quacks | ||
| 10 | 17th Century cartoons: Matthew Hopkins, Puritans and other factions | Folk Magic in the 17th Century | ||
| 16 | Image by Breughel | Exorcism in the English Churches | ||
| 21 | Fantasy inspired by ancient broken stone family crest, seen in France, by Marion Filmere | Gargoyles and Grotesques | ||
| 26 | Anon etching | The Love Charm | ||
| 34 | Autumn 1998 | cover | Gail-Nina Anderson | |
| 2 | Carolina Matilda, late Queen of Denmark | Caroline Matilda | ||
| 4 | The execution of Struensee and Brandt | Caroline Matilda | ||
| 6 | Scandalous behaviour of Caroline Matilda… | Caroline Matilda | ||
| 7 | Anon (Ruth Murray is credited for illustration but it is not clear whether she created them or supplied them?) | Caroline Matilda | ||
| 13 | anon | Lafcadio Hearn | ||
| 14 | Gail-Nina Anderson | Editor’s Letter | ||
| 16 | Chrissie Demant, 1998 | The House of Dracula | ||
| 21 | Timothy Shaw | |||
| 29 | The Ancient Mariner’s Ship Becalmed, by Gustave Dore. | The Romantics and The Gothic | ||
| 35 | Winter 1998 | cover | Parables of Our Lord, by Millais | |
| 2 | William Blake | Funeral Oration | ||
| 8 | Anatomy of Melancholy, 1638 | Melancholia | ||
| 15 | anon | Literature of Terror in Portugal | ||
| 17 | anon | Literature of Terror in Portugal | ||
| 18, 22, 23 | Anon engraving | A Strong Expression of Reluctant Agony | ||
| 26 | The Descent of Man into the Vale of Death, William Blake | |||
| 29 | “O, Nothing in Life Can Sadden Us” |